Year-end Top 10s used to be predictable. It was an annual slew of the hottest indie artists—some mixture of the it rookie (say Grimes last year, Haim in 2013) and all the familiars that released in the calendar year (Daft Punk, Arcade Fire, The National, Deerhunter, etc. etc.)—with room for maybe one mega, gigantic pop album (FutureSex /LoveSounds, anyone?). It’s hard to pinpoint an exact year, but eventually blogs slightly altered this formula by listening to people who genuinely paid attention to hip-hop. The next surething addition to Top 10s became the cherrypicked rap album, everything from Kid Cudi to Chance The Rapper.
It now seems we have one more factor to add to the predictable Top 10 equation—metal. Maybe it was Death from Above 1979 that pioneered this, or perhaps Godspeed You! Black Emperor did it just last year, but now it seems official that a single metal album shall annually rise from the fray to slip into the rarefied air of online mainstream Top 10s. In 2013, the honor belongs to Sunbather by young metalheads Deafheaven. And besides having a cringe-worthy name, these noisemakers boast songs where the vocals are all but indistinguishable (that is, if you can listen long enough to attempt deciphering them).
In short, this author knows little to nothing about Deafheaven because it was hard to get through an entire listen of the album. That may be an unpopular opinion, but it’s harsh enough to wonder just how every critic with a big podium seems to disagree. Do all these people really like Deafheaven? Do all these people even really know Deafheaven?
To test this inclination, we present a quiz. Don’t ask why we were recently browsing through the bibliography of your great aunt’s favorite profiteering crime novelist, Stuart Woods. Instead, go ahead and ask yourself if you can tell the difference between his books and Deafheaven songs.